





Tomás Pinto, a multidisciplinary visual artist from San Juan, Argentina, merges performance and contemporary image-making in projects that address themes of digital culture, pop aesthetics, and visual experimentation. Based in Barcelona, Pinto has directed and participated in renowned projects such as The Red Room (2024) and Empatía Radical (2023), constantly exploring new forms of communication between the conceptual and the visual.
The presentation of “Besos hasta agotar stock” at Segundo Espacio reaffirmed the venue’s role as a space for meaningful encounters between diverse groups, as well as a valuable cultural proposition for the city of Barcelona and its surroundings.







